Animal Rescue XV: Our nicest Christmas

We at FUNDECI/GAIA think that wild animals should not be in cages. Obviously, not everyone feels the same way, because wild animals can be found in cages throughout Nicaragua. Even foreigners often feel the need to keep a bird in a cage or a monkey on a chain, and often they try to convince themselves that they are "rescuing" the animal by purchasing it. After all, caged wild animals can be found everywhere in Nicaragua, even animals that are legally prohibited from the trade in wild animals. So whenever we see someone with a caged animal, we consider it an opportunity to discuss what is best for the animal and also for the entire situation for the wild animals that suffer from the pet trade in Nicaragua.
So, we are no longer surprised when people just call us up and ask us to take their caged animals. This is an increasingly common event. The good folks at the Redwoods Resort did that back in October, wishing to place their Keel-billed Toucan back into the wild. We have had a single experience, and it was successful, so we responded enthusiastically.

This Keel-billed Toucan narrowly escaped returning to the pet trade when employees of The Peace Project tried to convince the owners of the bird that they were Estacion Biologica! Photo by Pablo Somarriba.

In anticipation of his arrival, we augmented our cage space, with ample dimensions and natural conditions to permit flying and perching at different levels. We fenced the cage with high-quality, galvanized wire chosen in consultation with the National Zoo. Special help was provided by our volunteers, especially from Ruben Pelckman from On-Stage in Holland. When we were prepared, we called the good folks at the Redwood Resort and they delivered the bird. 

Ruben and Elmer are hard at work on the new cage for the Keel-billed Toucan. Photo Pablo Somarriba. 

The folks from the Redwood Resort had a beautiful bird, in perfect health and with intact plumage, worth easily 600 dollars in the pet trade in Managua. When they delivered him, they asked to find us at The Peace Project, where the employees immediately told them that they represented us and could take the bird. But thanks to the fast response of Elmer, this toucan narrowly escaped returning to the pet trade through the inappropriate intentions of these people. 

The toucan in his new cage at Estacion Biologica in Laguna de Apoyo Nature Reserve. Photo Pablo Somarriba.

Our new Keel-billed Toucan was beautiful, and quite wild. He had no intention of remaining in captivity. Likely captured as an adult, he did not like people and he was not satisfied with a cage, from the very beginning. This was a good sign.

We kept the toucan almost two months, feeding him well and observing him. He croaked often and loudly. He flew from side to side in his new cage. 

Wild birds should not be in cages, and this toucan certainly agreed. He had ample food, attention, and room to fly, and he still wanted to be free! Photo Pablo Somarriba.

After all, this bird was in a cage. Although his conditions were better than ever, he wanted to be free, and having the abundant nature all around him inspired his desires even more. So, we began to prepare for his release. 

We carried the toucan to the southwestern corner of Lake Apoyo, where Keel-billed Toucans are common. FUNDECI/GAIA staff and volunteers helped to make the transfer to the wild, making the trip in our Road Warrior, also known as the Land Rover. Photo Pablo Somarriba. 

Keel-billed Toucans are common in the Laguna de Apoyo Nature Reserve, only in the southwestern quadrant of the caldera. We took him to near the San Simian hotel, where their very conscientious staff participated in seeing off this beautiful bird on his first flight into freedom.

Having reached his launching point, the FUNDECI/GAIA staff prepare to take the toucan from his transport cage. Photo Topi Lehtonen. 

It is always exciting to see an animal return to the wild, but especially so when the animal shows his desire so strongly. This bird never liked captivity and he was ready to return!

Hotel San Simian staff prepare to document the liberation moment. Photo Topi Lehtonen.

Keel-billed Toucans are quite large, as birds go. So he is best handled with two hands. The bill can cut skin, and the serrations are sharp. But a little cut was no deterrent to our staff who are devoted to protecting nature.

Pablo and Elmer in the last moment of captivity for this lucky bird. Photo Topi Lehtonen.

Not all birds are so lucky. The pet trade is driven by the money many people are willing to pay to keep such an animal in a cage. We hope some people will read about this bird and remember that wild animals should live and die in the wild, not in cages.

We hope to see you from a distance again some day! Photo Pablo Somarriba.

Would you like to help with wild animal rescue? FUNDECI/GAIA needs volunteers to care for animals, cages and supplies and good food for animals which frequently appear for our care. Or go birdwatching with us! You can help, by participating as a volunteer or by a donation to help to purchase food and supplies. Please contact us for more information.

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Downtown Managua

Tourists visiting Nicaragua often avoid the capital, Managua. The city is not too large, as capital cities go, but it's not particularly user-friendly for the uninitiated, especially for those who don't speak Spanish. Nonetheless, Managua is the epicenter of Nicaraguan society, and all Nicaraguans refer to it for its abundant cultural activities. 

An identifying feature of Managua is the legacy of a terrible earthquake in 1972, in which thousands were killed and most citizens of the capital were left homeless. Rubble can still be found in the capital, and half-destroyed buildings are occupied by squatters living in unimaginably insecure and degrading conditions, in an area once graced with urban, middle-class architecture. Nonetheless, a few structures remain from the past, and there are other gems in Managua, too. Here are some photos from downtown Managua, near the epicenter of the terrible 1972 earthquake. 

Managua "old" cathedral, now in ruins. Photo by Joyce Procure.

The former downtown area of Managua languished for decades after the earthquake. The cathedral unusable, entire neighborhoods turned to rubble, and shells of buildings inhabited by indigent people in appallling conditions. Some functions continued in downtown Managua after the earthquake, for instance, the National Palace was left strong, as was the Bank of America building. But ruins and extreme poverty were everywhere, along with all the social ills that accompany them.

Side view of the ruins of the "old" Managua cathedral. Photo by Joyce Procure.

The area has recently become dramatically revitalized through the injection of large sums of money from the government. Parks have been restored and police are present day and night to make them safe. Slums and rubble have been cleared in several areas, replaced by housing projects. Decent housing for poor people has become a primary priority again, after a long hiatus.

The National Palace withstood the 1972 earthquake intact. Its strong, imposing lines suggest  German styles from the 1930's. Photo by Joyce Procure.

Only a few years back, a visit to this area was best left to the valiant. Today, the area is safe and is gaining traffic and life. Managua once again has a center.

The banners strung on the poles are based on the blue-and-white national flag, and the red-and-black Sandinista flag. Behind the flags are found the tombs of  Sandinista leaders Carlos Fonseca, Santos Lopez, and Tomas Borge. Photo by Joyce Procure.

Managua continues to be the center for culture in Nicaragua, where concerts and plays are found and all kinds of attractions are found, particularly for the person who speaks Spanish.

The Presidential Palace was built during the last decade of the twentieth century with financing from Taiwan. Photo by Joyce Procure.

The Nicaraguan National Assembly occupies what is known as the Bank of America Building in downtown Managua. This building was among the very few multistory structures that survived the 1972 Managua earthquake. Photo by Joyce Procure.

Prior to the 1972 earthquake, the Managua Cathedral was utilized by the upper classes of Managua.

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movies about Nicaragua

Much of Nicaragua's cultural and political history is captured in the cameras of diverse filmmakers through the years. Here we present another set of films that tell stories new and old. Please let us know which films you like, and why! 

Nicaragua-A Nation's Right to Survive. This 1983 documentary directed by John Pilger presents the difficulties facing the young, revolutionary Nicaragua, crippled by aggression from the superpower to the North. "The issue is that the United States has no right to invade and humiliate a small country" (A. C. Sandino). This film includes footage of US biplanes in attacks on Ocotal, where the first aerial bombing in the world was conducted in 1926-before the Spanish massacre at Guernica.

Land  "Next time you pack your sunscreen bring your gun". A documentary video about the housing development boom on the Nicaraguan Pacific coast. If you are thinking of buying property in Nicaragua, see this first. Directed by Julian Pinder, is available on Torrents.

Pictures from a Revolution by Susan Meiselas. "PICTURES FROM A REVOLUTION is also a smart, unvarnished tale of the evolution of images as they run headlong into popular culture and political agendas". 

The Mosquito Coast, based on the book by Paul Theroux, tells a Gulliveresque story set on Nicaragua's Caribbean coast. Starring Harrison Ford as a dreamer wanting to change the Nicaraguans, only he still does not even know them. 

Nicaragua: An Unfinished Revolution presents social and political issues facing the Sandinistas in their second chance at social transformation in Nicaragua. This video, produced by Al-Jazeera, is presented below.

No Pasaran, a film by the Australian filmmaker David Bradbury, covers the history of Nicaragua from the construction of the Somoza dynasty until the Nicaraguan Sandinista Revolution. 

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The Laguna de Apoyo Movie List

Nicaragua's rich socio-political history is the stuff of movies, and some good ones have come from it. Here we present our list, movies that lovers of Nicaragua should see. Let´s go to the movies!

1. Carla's Song (1996)
A Nicaraguan woman carries the scars of war with her to Glasgow, where she meets a man who helps her face her past and return to her country and love. Set during the contra war in revolutionary Nicaragua. Directed by Ken Loach.

Carla's Song Trailer

2. Alsino and the Condor (1983)
Best Foreign Film Academy Award 1983
Alsino dreams of flying. and his village is visited by aircraft raining destruction. An analogy for the apologists of fascism in its many rebirths throughout Latin America. Directed by Miguel Littin.

3. Walker (1987) Directed by Alex Cox
William Walker was a good man gone bad. As he sank morally, he dragged a nation downward with him. Ed Harris plays the lead role brilliantly, in a cleverly constructed retelling of the first US citizen president of Nicaragua. This movie portrays the Walker experience with broad artistic license. Music by Joe Strummer from The Clash.

Walker-Trailer

3. Under Fire (1983)
Nick Nolte and Gene Hackman are seasoned war reporters, documenting the insurrection against the Somoza dictatorship in Nicaragua. Based loosely on the assassination of ABC reporter Bill Stewart in 1979. Soundtrack by Jerry Goldsmith.

5. La Yuma (2009)
Two sports shine in Nicaragua: Baseball, and boxing. A most unlikely boxing film - about a woman boxer. Directed by Florence Jaguey.

La Yuma (The complete film)

La Yuma-trailer

What is your favorite film about Nicaragua? Please let us know. If we have not included it here, we would like to see it and share your interest with others, too.
Estacion Biologica FUNDECI/GAIA sponsors and operates the Laguna de Apoyo Spanish Language School. We have the oldest "study Spanish abroad" program in Nicaragua. Please visit us when you are in Laguna de Apoyo.

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Sandino The Movie

The most iconic figure in the history of Nicaragua is Augusto C. Sandino. The illegitimate child of a poor servant girl, a self-made man, and emphatic defender of sovereignty, was betrayed and killed ignominiously when he opted to negotiate for peace. His death launched a single-family dynasty which, not coincidentally, ended at the hands of a new generation of rebels who adopted his name for their movement.

Miguel Littin, a Chilean leftist filmmaker, undertook the auspicious project of tracing the remarkable life of Sandino on film. The result is presented here, broken into parts of about 10 minutes each. This film receives our highest recommendation, because it tells one of the great stories which define why Nicaragua is so special. One can't know Nicaragua, its history, society and culture, without understanding Sandino, and one can't understand Sandino without loving Nicaragua. Patria libre o muerte!

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Part 14

Part 15

The Spanish courses offered at Estacion Biologica include a historical perspective and legacy of Augusto Cesar Sandino in today's Nicaragua. The modern term sandinista incorporates concepts of struggle, social justice, sovereignty and national dignity, and a rich history has been played out in which the term has been applied. The term holds both political and broad cultural connotations today in Nicaragua, and our Spanish teachers have personal experience in these concepts, to make your Spanish training directed toward the circumstances found in Nicaragua.

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Guerrero del Amor: Duo Guardabarranco

Rosey Soley composed a poem dedicated to her lover, fallen in the terrible conflict between Nicaraguans. Salvador Cardenal set the words to music, and here it is presented by Salvador and Katia, as Duo Guardabarranco. This song embodied the spirit of a generation dedicated to give their lives for the Revolution. Thank you, Rosey, Katia, and Salvador, for leaving us this beautiful homage to love and conflict in Nicaragua. The role of testimonial music in the Nicaraguan Revolution was tremendous, as can be imagined by the imagery and words of this song.

Guerrero del Amor

Warrior of Love (Rosey Soley and Salvador Cardenal)

I’ll trade you a song for the courage of your young combatant hands,

Welded to the metal with which you will save us.

I’ll trade this love of life and its promises

For the cold of your feet in the swamps,

Making fear and homesickness burn you.

Anonymous author of the dawn,

Silent deer in the mountain,

Warrior of love;

Son of these times, windmill,

Manchild born in the jungle

To go until the end, to the victory

I’ll trade you those 20 years, duplicated

Because of this necessary war,

For the silvery flower of hope

Te cambio una canción por el coraje
de tus jovenes manos combatientes,
fundidas al metal con que nos salvas.

Te cambio este amar la vida y sus promesas
por el frio de tus pies entre los suampos;
fraguando que se te quema el miedo y la nostalgia.

Autor anónimo de la alborada,
venado silencioso en la montaña,
guerrero del amor
hijo de este tiempo, remolino
hombre niño parido pues en plena selva
para llegar al fin a la victoria para llegar al fin.

Te cambio esos 20 años duplicados
a causa de esta guerra necesaria,
por la carnosa flor de la esperanza.

Autor anónimo de la alborada,
venado silencioso en la montaña;
guerrero del amor,
hijo de este tiempo, remolino
hombre niño parido pues en plena selva
para llegar al fin a la victoria para llegar al fin.

Autor anónimo de la alborada,
venado silencioso en la montaña;
guerrero del amor,
hijo de este tiempo, remolino
hombre niño parido pues en plena selva
para llegar al fin a la victoria para llegar al fin.
(Canción Dedicada a "Sandino" General de Hombres Libres 1983)