Showing posts with label arts. Show all posts
Showing posts with label arts. Show all posts

Saturday, August 5, 2017

Petroglyphs in Laguna de Apoyo Nature Reserve, Nicaragua

The Apoyo Volcano exploded in what may have been the most powerful of all the volcanic blasts of the quaternary epoch in Central America, around 23,000 years ago. No humans were around to see it, however, as the first direct or indirect evidence of humans in the area seems to be less than 15,000 years old. We can imagine the awe of the first people to look down into the lake seated at the bottom of the crater. Although the name "Apoyo" matches a Spanish-language word, it actually is a precolombian toponym referring to clear water.

petroglyph
We know nothing of the message or messengers who inscribed on the rocks in Laguna de Apoyo. Photo Pablo Somarriba.
The precolombian people of the region around Apoyo, particularly on the sides of the Pueblos Blancos to the west, and Masaya to the north, did not die out or migrate away. Precolombian roots are seen in the faces and the traditions of the area. Furthermore, in Masaya and a few other areas, some people maintain official indigenous representation, according to registrations with the government from more than a century ago. The precolombian culture was largely erradicated by the Spanish conquest, but these relics give silent testimony to a society that still lives.

petroglyph
Indigenous people of the area left etchinngs in several rocks in Laguna de Apoyo Nature Reserve. Photo Pablo Somarriba. 
Students at Apoyo Spanish School can visit the petroglyphs found in different locations near us. The messages have not been deciphered, so each person can imagine and hypothesize about the meanings behind each etching. Some are small, others are a few meters wide. The centuries have passed since these designs and messages were left behind, but thankfully, we are still able to enjoy them.

precolombian culture
Possibly an Insect? Turtle?   Photo Pablo Somarriba.

The hundreds of years of separation from their prior society has left the native Nicaraguans of this area disconnected from the reasons, language, and messages behind these treasures. Someday, hopefully, there could be a rescue of these petroglyphs for the benefit of the people who continue to live in the area. It is no surprise that many petroglyphs are found here, because of the abundance of rock and the marvelous place that is the interior of the Apoyo crater.

Apoyo Spanish School
Students of Apoyo Spanish School sit above a large petroglyph in the Apoyo crater. Photo Andras Dorgai
There are a few nice walks on public-access trails in the crater that pass by petroglyphs. These walks can combine great views of landscapes, birds, monkeys, the incredible diversity of plants, and these relics from another era.  Some of the trails lead to communities along the edge of the crater, so a walk could terminate with a nice beverage while looking across the lake.

petroglyph
This petroglyph has been carved on the top of a flat bedrock. Photo Andras Dorgai.

If you would like to make a hike to see petroglyphs, please contact us. We would love to take you for a hike that can combine birds, monkeys, useful plants, petroglyphs, and majestic views.

petroglyph
A petroglyph in Laguna de Apoyo Nature Reserve. Photo Andras Dorgai.

precolombian culture
Chilling imagery left behind by the precolombian ancestors in Laguna de Apoyo Nature Reserve. Photo Andras Dorgai.

petroglyph
A spooky petroglyph with ann oddity behind. Photo Andras Dorgai.

precolombian culture
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Tuesday, June 12, 2012

Romance Sonámbulo (Federico Garcia Lorca)

Federico Garcia Lorca

Verde que te quiero verde

Verde viento. Verdes ramas.
El barco sobre la mar
y el caballo en la montaña.
Con la sombra en la cintura
ella sueña en su baranda,
verde carne, pelo verde,
con ojos de fría plata.
Verde que te quiero verde.
Bajo la luna gitana,
las cosas la están mirando
y ella no puede mirarlas.


Federico Garcia Lorca

Verde que te quiero verde,
Grandes estrellas de escarcha,
vienen con el pez de sombra
que abre el camino del alba.
La higuera frota su viento 
con la lija de sus ramas,
y el monte, gato garduño,
eriza sus pitas agrias.
¿Pero quién vendrá? ¿Y por dónde?
Ella sigue en su baranda,
verde carne, pelo verde,
soñando en la mar amarga.

Romance sonambulo

--Compadre, quiero cambiar
mi caballo por su casa,
mi montura por su espejo,
mi cuchillo por su manta.
Compadre, vengo sangrando,
desde los puertos de Cabra.
--Si yo pudiera, mocito,
este trato se cerraba.
Pero yo ya no soy yo,
ni mi casa es ya mi casa.
--Compadre, quiero morir,
decentemente en mi cama.
De acero, si puede ser,
con las sábanas de holanda.
¿No ves la herida que tengo
desde el pecho a la garganta?
--Trescientas rosas morenas
lleva tu pechera blanca.
Tu sangre rezuma y huele
alrededor de tu faja.
Pero yo ya no soy yo,
ni mi casa es ya mi casa.
--Dejadme subir al menos
hasta las altas barandas,
¡dejadme subir!, dejadme
hasta las verdes barandas.
Barandales de la luna
por donde retumba el agua.

Federico Garcia Lorca

Ya suben los dos compadres
hacia las altas barandas.
Dejando un rastro de sangre.
Dejando un rastro de lágrimas.
Temblaban en los tejados
farolillos de hojalata.
Mil panderos de cristal
herían la madrugada.

Laguna de Apoyo

Verde que te quiero verde,
verde viento, verdes ramas.
Los dos compadres subieron.
El largo viento dejaba
en la boca un raro gusto
de hiel, de menta y de albahaca.
--¡Compadre! ¿Dónde está, dime?
¿Dónde está tu niña amarga?
¡Cuántas veces te esperó!
¡Cuántas veces te esperara,
cara fresca, negro pelo,
en esta verde baranda!

Federico Garcia Lorca

Sobre el rostro del aljibe

se mecía la gitana.

Verde carne, pelo verde,

con ojos de fría plata.

Un carámbano de luna
la sostiene sobre el agua.
La noche se puso íntima
como una pequeña plaza.
Guardias civiles borrachos
en la puerta golpeaban. 
Verde que te quiero verde,
verde viento, verdes ramas.
El barco sobre la mar.

Y el caballo en la montaña. 

Laguna de Apoyo

With gratitude to Federico Garcia Lorca (1898-1936), martyr during the dictatorship of Francisco Franco.
Poetry
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Monday, February 13, 2012

movies about Nicaragua





Much of Nicaragua's cultural and political history is captured in the cameras of diverse filmmakers through the years. Here we present another set of films that tell stories new and old. Please let us know which films you like, and why! 


Nicaragua-A Nation's Right to Survive. This 1983 documentary directed by John Pilger presents the difficulties facing the young, revolutionary Nicaragua, crippled by aggression from the superpower to the North. "The issue is that the United States has no right to invade and humiliate a small country" (A. C. Sandino). This film includes footage of US biplanes in attacks on Ocotal, where the first aerial bombing in the world was conducted in 1926-before the Spanish massacre at Guernica.


movies about Nicaragua

Land  "Next time you pack your sunscreen bring your gun". A documentary video about the housing development boom on the Nicaraguan Pacific coast. If you are thinking of buying property in Nicaragua, see this first. Directed by Julian Pinder, is available on Torrents.




Pictures from a Revolution by Susan Meiselas. "PICTURES FROM A REVOLUTION is also a smart, unvarnished tale of the evolution of images as they run headlong into popular culture and political agendas". 



The Mosquito Coast, based on the book by Paul Theroux, tells a Gulliveresque story set on Nicaragua's Caribbean coast. Starring Harrison Ford as a dreamer wanting to change the Nicaraguans, only he still does not even know them. 




Nicaragua: An Unfinished Revolution presents social and political issues facing the Sandinistas in their second chance at social transformation in Nicaragua. This video, produced by Al-Jazeera, is presented below.




No Pasaran, a film by the Australian filmmaker David Bradbury, covers the history of Nicaragua from the construction of the Somoza dynasty until the Nicaraguan Sandinista Revolution. 
movies about Nicaragua
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Friday, October 7, 2011

Mario Montenegro visits the children of Laguna de Apoyo Part I



Mario Montenegro is a local Nicaraguan artist, singer, songwriter, children's story writer, and painter. He was born poor and humble, and he has dedicated his art to themes of the children. As can be seen in the videos here, he has a special communication with children. Estacion Biologica arranged an activity with our local school, Escuela Luis Alfonso Velasquez, where he sang and told stories for the children, with themes that relate to the kids. His music has themes especially for children. Here are a few of the videos we took from the event, more will be loaded soon. We hope you enjoy them.






The students of Escuela Luis Alfonso Velasquez are poor, rural children, whose parents are caretakers for properties of wealthy people in Laguna de Apoyo. These children don't go to the movies or the mall. Their parents don't take them rollerskating or to play organized sports.

Mario Montenegro knows how to make the children smile and even to get them jumping. We are appreciative of his attention and care for the poor children of our local school. He was accompanied in his visit by students of the Laguna de Apoyo Spanish Language School and volunteers from Estacion Biologica, who also enjoying his music and stories and the opportunity to share with the children of our area.
Supporting the education of poor, rural Nicaraguans is part of our mandate at Gaia, and through our offices at Estacion Biologica, we have participated in several activities to widen and deepen the experience of our young student neighbors. When you visit Nicaragua, please remember that many children do not have sufficient resources for a good education. We, like many organizations, channel donations to our local school. We recommend that you bring with you pencils and other school supplies, books in Spanish, and backpacks to donate. We also are seeking a long-term intern to work with the local students in environmental education activities. If you are interested, please contact us.
Nicaraguan music
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Sunday, October 2, 2011

The Laguna de Apoyo Movie List





Nicaragua's rich socio-political history is the stuff of movies, and some good ones have come from it. Here we present our list, movies that lovers of Nicaragua should see. Let´s go to the movies!

1. Carla's Song (1996)
A Nicaraguan woman carries the scars of war with her to Glasgow, where she meets a man who helps her face her past and return to her country and love. Set during the contra war in revolutionary Nicaragua. Directed by Ken Loach.
Carla's Song Trailer

2. Alsino and the Condor (1983)
Best Foreign Film Academy Award 1983
Alsino dreams of flying. and his village is visited by aircraft raining destruction. An analogy for the apologists of fascism in its many rebirths throughout Latin America. Directed by Miguel Littin.


3. Walker (1987) Directed by Alex Cox
William Walker was a good man gone bad. As he sank morally, he dragged a nation downward with him. Ed Harris plays the lead role brilliantly, in a cleverly constructed retelling of the first US citizen president of Nicaragua. This movie portrays the Walker experience with broad artistic license. Music by Joe Strummer from The Clash.

Walker-Trailer

3. Under Fire (1983)
Nick Nolte and Gene Hackman are seasoned war reporters, documenting the insurrection against the Somoza dictatorship in Nicaragua. Based loosely on the assassination of ABC reporter Bill Stewart in 1979. Soundtrack by Jerry Goldsmith.




5. La Yuma (2009)
Two sports shine in Nicaragua: Baseball, and boxing. A most unlikely boxing film - about a woman boxer. Directed by Florence Jaguey.
La Yuma (The complete film)

La Yuma-trailer
What is your favorite film about Nicaragua? Please let us know. If we have not included it here, we would like to see it and share your interest with others, too.
Estacion Biologica FUNDECI/GAIA sponsors and operates the Laguna de Apoyo Spanish Language School. We have the oldest "study Spanish abroad" program in Nicaragua. Please visit us when you are in Laguna de Apoyo.
Nicaraguan cinema
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Friday, September 30, 2011

Sandino The Movie




The most iconic figure in the history of Nicaragua is Augusto C. Sandino. The illegitimate child of a poor servant girl, a self-made man, and emphatic defender of sovereignty, was betrayed and killed ignominiously when he opted to negotiate for peace. His death launched a single-family dynasty which, not coincidentally, ended at the hands of a new generation of rebels who adopted his name for their movement.

Miguel Littin, a Chilean leftist filmmaker, undertook the auspicious project of tracing the remarkable life of Sandino on film. The result is presented here, broken into parts of about 10 minutes each. This film receives our highest recommendation, because it tells one of the great stories which define why Nicaragua is so special. One can't know Nicaragua, its history, society and culture, without understanding Sandino, and one can't understand Sandino without loving Nicaragua. Patria libre o muerte!

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Part 14

Part 15

The Spanish courses offered at Estacion Biologica include a historical perspective and legacy of Augusto Cesar Sandino in today's Nicaragua. The modern term sandinista incorporates concepts of struggle, social justice, sovereignty and national dignity, and a rich history has been played out in which the term has been applied. The term holds both political and broad cultural connotations today in Nicaragua, and our Spanish teachers have personal experience in these concepts, to make your Spanish training directed toward the circumstances found in Nicaragua.
film about Sandino in Nicaragua
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Thursday, June 2, 2011

The Laguna de Apoyo Reading List I





Everyone needs a reading list. And if you are interested in Nicaragua, you will find many, many layers to the story of what makes this country the way it is. There is plenty to read to help you understand better the country "where lead floats and cork sinks". Here we present a reading list which, we think, provides a sound basis for the reality of Nicaragua. From fiction, to documentary, we cover several items available to read which introduce Nicaragua. This is the first of several parts, because, although Nicaragua is small and poor, it is rich in historical and literary heritage.

Please consider making any purchases of these books through our links. Every time you purchase a book using our link, we obtain credit that helps us obtain field guides, reference books, and other books that are vital to our work.

Ephraim George Squier served as an envoy from the US government to Nicaragua in the nineteenth century. His task was to document the geography, society and culture of Nicaragua, which he resumed in a fine book. It is a shame that this was out of print and that hardback copies are rare and very expensive. This book discusses the pressure of the Roman Catholic Church on the local people to destroy all precolombian statues, and his efforts to save some of them from destruction (see the San Francisco Convent in Granada for some of the statues he saved). His activities in the region are a prologue to the transoceanic canal, later constructed in Panama. He wrote sympathetically of Nicaragua, giving ample descriptions of the people and land in this travelogue.



Among the ineludable realities of Nicaragua is the conquest of Latin America by the Spanish and Portuguese, an event which transformed a continent forever. Eduardo Galeano documents the subjugation of an entire race as serfs in a feudal system imposed by the colonizers, which in turn subjugates generation after generation of descendants in despotism. We need not look to Europe and Asia to find police states, massacres, state-sponsored terrorism, proxy wars, famines, and fascism, because they are all contained in the history of Latin America, and retold in this book. Galeano once said of himself, "I'm a writer obsessed with remembering, with remembering the past of America above all and above all that of Latin America, intimate land condemned to amnesia."
Using historical documents, Galeano recreates centuries of history from the perspective of the oppressed, presenting the impacts of wars, colonizations, and policies decided in Europe and in the capitals of these countries on the disenfranchised. The current reality of Nicaragua is immersed in the common history of Latin America, a story whose perspective of oppression is told best by Galeano.
In their first encounter, Hugo Chavez gave a copy of this book to Barak Obama.

Thomas Belt was an English mining engineer who worked in Nicaragua in the nineteenth century. His travels through the countryside, from gold mine to gold mine, provided him with opportunities to pursue his passion-tropical biology. He documented the mutualistic intereactions between Pseudomyrmex ants and the Bullthorn acacia which provides the ants with shelter and food. His incisive descriptions of nature are used in tropical biology texts. His observations of human nature were equally acute, and are told in an engaging style meant for the general reader. Many of his anecdotes on the landscapes and rural people, though more than a century old, ring true today. He struggles with the procrastination endemic to the culture, hails the affection and hospitality abundant among his experiences, and provides the reader detailed landscapes of towns, villages and countryside, in many ways still valid today.

No discussion of Nicaragua can omit the insurrection against the Somoza dynasty and subsequent revolutionary period. Two monumental, successful hostage events occurred during the insurrection, both of which liberated Sandinista guerrilla fighters from Nicaraguan prisons and heightened the image of the revolutionary movement. Gioconda Belli fictionalizes a hostage-taking event, creating a fiction that embeds the issues of political, social and gender liberation in a thrilling story. A young, apolitical woman from the middle class becomes a hostage-taking revolutionary commando in a series of events that seem at once improbable and very convincing. The story gives an excellent insider's view of Nicaraguan middle class society from a woman's perspective.




Omar Cabezas did not come from a prestigious or wealthy family, but he joined the Sandinistas as a teen. He tells his story in a self-effacing, relaxed prose, using Nicaraguan street language, of the formation of a university student leader into a guerrilla fighter: indecision and decision, glory and boredom, illness and banal humor. A well-told story from a more proletarian point of view, in contrast to most who chronicled the period.







Blood of Brothers gives a well-documented, balanced account of events throughout the insurrection and the Sandinista period. Stephen Kinzer combines an authoritative first-hand account of important events with documentary evidence to make a very readable chronicle of the period, told with the precision of a journalist at his best. He portrays skillfully many perspectives inside a divided country during a time of war.



Claribel Alegria tells the chilling story of the only modern head of state to be assassinated in exile-Anastasio Somoza. Argentine revolutionaries taking refuge in Nicaragua learn of his presence in Paraguay and undertake a suicide mission-to kill Somoza in the most controlled police state in the western hemisphere. It would make a great thriller novel, but it is real. A ruthless dictator meets a violent end, told by a great writer who was herself a victim and refugee from the Somoza dictatorship of Nicaragua.


No history would be fairly told without considering all sides. Anastasio Somoza Debayle tells his own story of the last years of his administration, blaming principally Jimmy Carter for removing support for him and allowing the "communist" Sandinista revolutionaries to take power in Nicaragua upon his departure.




The Nicaraguan Revolution was in large measure a transformation of the role of women in the Latin American society. Margaret Randall chronicled the stories of women as participants in the Nicaraguan society in a series of ethnographic sketches, treating women at several levels of Nicaraguan society, in their own voices. Her first book on the subject, Sandino's Daughters, is juxtaposed with Sandino's Daughters Revisited, in which she considers the lives of the same women post-Sandinista period of the 1990's.

A picture is truly worth a thousand words, when the photographer is Susan Meiselas. In this collection of photos, she captures the violence of the insurrection, the cruelty of the National Guard, the absurdity of the ruling class during a bloody war, the horror and sometimes, bravery of common people in the face of tragedy. In her pictures is the collective memory of a nation living a terrible, hopeful, and fateful period.


Julio Cortazar was an Argentine writer who sympathized greatly with the Sandinista Revolution. His chronicle, Nicaraguan Sketches, defends the process of the 1980's in a series of sketches discussing a wide variety of topics.

reading
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Sunday, March 27, 2011

Guerrero del Amor: Duo Guardabarranco

Rosey Soley composed a poem dedicated to her lover, fallen in the terrible conflict between Nicaraguans. Salvador Cardenal set the words to music, and here it is presented by Salvador and Katia, as Duo Guardabarranco. This song embodied the spirit of a generation dedicated to give their lives for the Revolution. Thank you, Rosey, Katia, and Salvador, for leaving us this beautiful homage to love and conflict in Nicaragua. The role of testimonial music in the Nicaraguan Revolution was tremendous, as can be imagined by the imagery and words of this song.

Guardabarranco


Warrior of Love (Rosey Soley and Salvador Cardenal)
I’ll trade you a song for the courage of your young combatant hands,
Welded to the metal with which you will save us.
I’ll trade this love of life and its promises
For the cold of your feet in the swamps,
Making fear and homesickness burn you.
Anonymous author of the dawn,
Silent deer in the mountain,
Warrior of love;
Son of these times, windmill,
Manchild born in the jungle
To go until the end, to the victory
I’ll trade you those 20 years, duplicated
Because of this necessary war,
For the silvery flower of hope
Guardabarranco


Te cambio una canción por el coraje
de tus jovenes manos combatientes,
fundidas al metal con que nos salvas.

Te cambio este amar la vida y sus promesas
por el frio de tus pies entre los suampos;
fraguando que se te quema el miedo y la nostalgia.

Autor anónimo de la alborada,
venado silencioso en la montaña,
guerrero del amor
hijo de este tiempo, remolino
hombre niño parido pues en plena selva
para llegar al fin a la victoria para llegar al fin.

Te cambio esos 20 años duplicados
a causa de esta guerra necesaria,
por la carnosa flor de la esperanza.

Autor anónimo de la alborada,
venado silencioso en la montaña;
guerrero del amor,
hijo de este tiempo, remolino
hombre niño parido pues en plena selva
para llegar al fin a la victoria para llegar al fin.

Autor anónimo de la alborada,
venado silencioso en la montaña;
guerrero del amor,
hijo de este tiempo, remolino
hombre niño parido pues en plena selva
para llegar al fin a la victoria para llegar al fin.
(Canción Dedicada a "Sandino" General de Hombres Libres 1983)

Guardabarranco

Guardabarranco

Nicaragua, Nicaraguita!

By Carlos Mejia Godoy, the song "Nicaragua, Nicaraguita" is among the best-loved of all songs in the country. Although composed in the context of the Revolution, its relevance transcends party politics today. Whenever sung publicly, one can expect all to sing along and many to shed a tear. Viva Nicaragua Libre!

Sandino


Carlos Mejia Godoy
Luis Enrique Mejia Godoy y los de Palacaguina
Luis Enrique Mejia Godoy a cappella

This song was also recorded by Billy Bragg-hear it here: Billy Bragg

Ay, Nicaragua, Nicaraguita
La flor mas linda de mi querer
Abonada con la bendita
Nicaraguita, sangre de Diriangen.
Ay, Nicaragua, sos mas dulcita
Que la mielita de Tamagas
Pero ahora que ya sos libre,
Nicaraguita, you u te quiero mucho mas
Pero ahora que yas sos libre,
Nicaraguita, yo te quiero mucho mas.

Oh, Nicaragua, precious Nicaragua
The fairest flower of my affection
Fertilized by the sacred blood,
Nicaraguita, of Diriangen.
Oh, Nicaragua, you are more sweet
Than the honey of Tamagas
But now that you are free,
Nicaragua, I love you so much more.
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